《月下独酌四首·其一》

花间一壶酒，独酌无相亲。

举杯邀明月，对影成三人。

月既不解饮，影徒随我身。

暂伴月将影，行乐须及春。

我歌月徘徊，我舞影零乱。

醒时相交欢，醉后各分散。

                                        永结无情游，相期邈云汉。

注释：提一壶美酒摆在花丛间，自斟自酌无友无亲。举杯邀请明月，对着身影成为三人。明月当然不会喝酒，身影也只是随着我身。我只好和他们暂时结成酒伴，要行乐就必须把美好的春光抓紧。这首诗约作于公元744年（唐玄宗天宝三载），当时李白身居长安，正是官场失意之时。此诗题下，两宋本、缪本俱注“长安”二字，意谓这四首诗作于长安。当时李白政治理想不能实现，心情是孤寂苦闷的。但他面对黑暗现实，没有沉沦，没有同流合污，而是追求自由，向往光明，因有此作。

Annotation: Carrying a pot of wine set among the flowers, pouring himself without friends or relatives.Raise the cup to invite the bright moon, to the figure to become three people.The bright moon of course will not drink, the figure is just along with my body.I had to form a drinking companion with them for the time being. To have fun, I had to hold on to the beautiful spring light.This poem was written around 744 A.D. (the third year of Emperor Xuanzong Tianbao of the Tang Dynasty), when Li Bai was living in Chang'an, at a time when he was disillusioned in his official career.Under the title of this poem, the two Song books and the Miu book are annotated with the word "Chang'an", meaning that these four poems were written in Chang'an.At that time, Li Bai's political ideals could not be realized, and his mood was lonely and bitter.But in the face of the dark reality, he did not sink, did not go along with the crowd, but the pursuit of freedom, yearning for light, because of this work.

李白或许是他的“诗名”太过耀眼，以致于很多人都不知道他也是一位书法家，但李白的洒脱，不仅体现在诗歌上，而且还体现在他的书法上，没曾想他的书法也是如此精湛，不愧为“诗仙”称号，将诗歌和书法得到了完美结合，古今第一。

Li Bai may be his "poetry name" is too dazzling, so that many people do not know that he is also a calligrapher, but Li Bai's freedom, not only embodied in poetry, but also embodied in his calligraphy, did not think that his calligraphy is also so superb, worthy of the "Poetry Immortal" title, will be the poetry and calligraphy to get the perfect combination of the ancient and modern first.

这件书帖，字体浑厚、凝重，快捷流畅；行距大，留白多，大开大合，给人想象的空间大；苍劲中见挺秀，豪气雄健。字体较为宽朗，有的呈现欹侧姿态，有的平正豁达，章法上整体起伏跌宕、错落有致，每一笔变化都不一样。每个字都有着极高的艺术价值，对于培养书法方面的鉴赏能力，和提高艺术思维有推动作用。

This calligraphy post, the font is thick, heavy, fast and fluent; the line spacing is large, leaving a lot of white space, wide open and closed, giving people a lot of space for imagination; the pale strength in the see quite beautiful, bold and robust.The font is broader, with some showing an interjection and some a flat and open posture, and the overall chapter style is undulating and staggering, with each stroke changing differently.Each character has a high artistic value, and it is a catalyst for the development of appreciation in calligraphy and the improvement of artistic thinking.

其书法承接了张旭的狂肆潇洒，还加入了自身的烂漫豪气，行笔果敢苍劲，下笔大多直入，有着地动山摇的磅礴之感，这种豪气甚至都不输张旭、怀素。同时还受到唐代王羲之书风的影响，其字还兼有飘逸灵动之气，笔笔率真纵放，将其“仙风道骨”充分写出，展现了唐代浪漫明朗的气象。

Its calligraphy took over Zhang Xu's wild and unrestrained, but also added its own rosy and bold, bold and strong strokes, most of the strokes straight into the ground, with a sense of magnificence of the earth shaking the mountains, and this boldness is not even lost to Zhang Xu, Huaisu.At the same time also affected by the Tang Dynasty Wang Xizhi style of writing, the word also has a floating and dynamic atmosphere, the pen is true and unrestrained, will be "immortal style and Taoism" fully written out, showing the Tang Dynasty romantic and bright weather.

李白的名声地位在中国历史上极高，字因人贵，其书法作品的价值自然就水涨船高。再者，李白的这幅书法作品是相当的好，展现了李白深厚的书法功底，其优秀的笔法也赢得了专家得到肯定；把这幅书法作品的价值再往上提高不止一个等次。全球仅存李白书法真迹，杜甫珍爱不已，上世纪估价就达到十位数。

Li Bai's reputation and status in Chinese history is extremely high, the character because of the person expensive, the value of his calligraphy works will naturally rise.Furthermore, Li Bai's calligraphy is quite good, showing Li Bai's profound calligraphy skills, and his excellent penmanship has also won the recognition of experts; raising the value of this piece of calligraphy more than one level.The only remaining authentic Li Bai calligraphy in the world was prized by Du Fu and valued at ten figures in the last century.